![]() ![]() Beatmapping with tempo changes is listed among Acid Pro 7’s new features, but we were disappointed to see that this is a manual rather than automatic process. Tempos are limited to a range of 70 to 200bpm, which seems needlessly narrow and may prove to be extremely unhelpful.Īcid Pro’s Beatmapper function was once a cutting-edge tool but Ableton Live has taken the idea further, tempo-mapping with greater accuracy and less user input and even coping with varying tempos. As such, the only way to edit some automation data is to re-record it from scratch. Mix automation is available either by recording changes in real time or by editing envelope curves, but the latter technique is unavailable for bus and virtual instrument channels. Its snap-to-grid facilities lack the option to preserve an object’s offset relative to the grid when moving it. There are still quite a few notable omissions, though, such as tools to assist the recording and compiling of multiple takes. However, behind the scenes, the software still adjusts the tempo in one-beat blocks, which we found to be a little coarse in some circumstances.Īll of the above features have been available elsewhere for years, but they strengthen Acid Pro’s ability to compete with more conventional recording software such as Cubase. It’s now possible to create tempo-change ramps and curves rather than just static blocks. A new Input Bus channel type allows a live audio input to be monitored with effects applied ?” essential for recording electric guitars direct into the computer. Other improvements include the ability to drag objects to different tracks and to precede recording with a metronome count in. Colour coding to identify different sections would be welcome, though. ![]() It looks utilitarian to the point of ugliness but it uses limited space well and has the ability to hide or show particular settings or channel types. There’s finally a proper mixer, which pulls together the various mixing parameters into a conventional single-window interface. ![]() ![]() This latest release builds on the previous version’s focus on becoming a more rounded, conventional recording application. Version 1 was simplistic but incredibly friendly and quick, and it’s remarkable that subsequent releases have transformed it into a sophisticated, versatile production tool without compromising its immediacy. But Acid Pro has another string to its bow: unrivalled ease and speed of use. In the last couple of years Ableton Live has eclipsed Acid Pro’s reputation for groundbreaking music-production techniques. ![]()
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